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In April 2017 a group of skilled lay Buddhists experienced in the traditional techniques of gilding Buddha images offered to re-coat the two main Buddha statues of Wat Pah Nanachat with gold leafs. The joint effort took about a week. Initially the old layers of gold and paint were carefully removed, and various irregularities on the statues brass surface were repaired, until a new grounding of an orange lacquer made according to an ancient recipe was applied. This needed to be done under a wide mosquito-net allowing the coating to dry without insects sticking to it. Then, with many calm, helping hands the tiny pieces gold-leaf were gently rubbed on square inch by square inch, and neatly polished such that the joints between them became nearly invisible. Finally, on April 10th, 2017, the whole monastic and lay-community of Wat Pah Nanachat gathered to finish the process together by gilding the top flame of “Phra Buddha-Karuna”, the Buddha statue in the main Sala, using this auspicious opportunity to enshrine Buddha-relics in the head of the statue before putting the flame back up in place.
In April 2017 a group of skilled lay Buddhists experienced in the traditional techniques of gilding Buddha images offered to re-coat the two main Buddha statues of Wat Pah Nanachat with gold leafs. The joint effort took about a week. Initially the old layers of gold and paint were carefully removed, and various irregularities on the statues brass surface were repaired, until a new grounding of an orange lacquer made according to an ancient recipe was applied. This needed to be done under a wide mosquito-net allowing the coating to dry without insects sticking to it. Then, with many calm, helping hands the tiny pieces gold-leaf were gently rubbed on square inch by square inch, and neatly polished such that the joints between them became nearly invisible. Finally, on April 10th, 2017, the whole monastic and lay-community of Wat Pah Nanachat gathered to finish the process together by gilding the top flame of “Phra Buddha-Karuna”, the Buddha statue in the main Sala, using this auspicious opportunity to enshrine Buddha-relics in the head of the statue before putting the flame back up in place.
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